Following on from the previous post:
I have further investigated the work of John Piper, who came
to prominence during WWII when he travelled the country painting our ‘war-torn’
cities. He had previously spent some 4 years as an abstract painter, but by his
own admission, never got to grips with the “mystique of abstraction”.
Nonetheless, this experience paid dividends when he was required to paint
bombed out and semi-derelict buildings for the war office.
Pipers art was (is) very emotionally charged and he favoured
buildings with extraordinary character that enabled him to paint them using his
unique pictorial design in terms of colours, texture and illumination. Many of
his paintings appear unfinished because of the way he ‘mixed’ very intricate
building detail alongside blocks of colour lacking any detail at all.
Rievalux Abbey - painting by John Piper, courtesy of Rochdale Art and Heritage Centre
Image taken form the BBC website.
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Rievalux Abbey - photograph entitled “Rievaulx Abbey – Rievaulx, North Yorkshire (EH)”
Image taken from the United Kingdom Tourist Information website.
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He regularly painted using his own personal colour key and as
a result it is often difficult to compare the object to the art. He also
infused drama into his paintings by creating additional shadows and cragginess
and regularly painting scenes as a night view, thus further enhancing the
feeling of menace and destruction.
This method of representing what he saw was very powerful,
primarily because the art required the viewer to compete the image – either to
re-build the building using the blocks of colour he provided or to accept that
the building was now a ghost.
For this last assignment I intend to investigate my local
environment with a view to depicting it through a ‘Piper’ lens – highlighting what
I consider to be the principal elements of structure, texture and illumination;
whilst developing my own colour palate to communicate how I feel about the environment
and in particular the scene I have photographed.
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